We’re very honoured with the double win for Kinshuk Surjan’s debut documentary Marching in the Dark.
The film was awarded with Prix Mondes en Regard & Prix du Premier Film.
Here are the jury statements
First Film Prize
Drawing on a socio-economic tragedy in rural India, made precarious by harmful financial and state logic, the filmmaker places himself alongside women whose indebted husbands have been driven to suicide. With the greatest gentleness, he films of them in particular, her silent face, her precious smile, and her bare forehead.
Through these fasces, these pay-faces, we share the grief, distress and intimacy of these women. The filmmaker pays restorative attention to these widows ostracized by their own community. He elegantly captures their strength, their gradual recovery of speech and laughter, their desire to lead a better life for their children and for themselves. These women share their suffering and also give each other strength, in a beautiful sisterhood.
The filmmaker magnifies the sensitive beauty of these widows and, by filming their resilient struggles, helps restore their dignity.
Mondes en regards Prize
We were particularly move by this film, which depicts the stigmatization of widows in India and their resilience. Indeed, the film accurately depicts the impact of their hubands’ suicide on the daily lives of these widows. They experience this ordeal not only as a grief, but also as a redefinition of their daily lives and their place in society, increasing their difficulties in an agricultural system that leads to the precariousness of farmers. We also appreciated the focus given to the protagonists who participated in the creation and post-production of the film. Furthermore, we commend the efforts made by the film’s teams to establish a forum for exchange and mutual support, which has had an impact on the lives of these women. This film, with its remarkable technicality and meticulous photography, perfectly represents the “worlds in view” award, forcing us to focus our eyes on these forgotten women that society refuses to see.
Bénédicte Liénard & Mary Jiménez received the SARGAL’DOCS 2025 award at St Louis Docs
/in News /by clindoeil🎬 Huge congratulations to MARY JIMÉNEZ and BÉNÉDICTE LIÉNARD on receiving the prestigious SARGAL’DOCS 2025 award! This career achievement honor was presented at St Louis Docs by Sellou Diallo alongside Senegal’s Director of Cinematography, Germain Coly.
What an incredible recognition of their outstanding contributions to documentary filmmaking! 👏
Marching in the Dark is the winner of the Basil Wright Film Award at Rai Film Festival
/in News /by clindoeilVery grateful that our film Marching in the Dark is the winner of the Basil Wright Film Award at Rai Film Festival.
Below, you can read the statement from the jury members, Carolina Arias Ortiz, Michael Eaton and Nat Nesvaderani:
A woman who is in great mourning after the suicide of her farmer husband, a widespread tragedy in India, is represented not through her victimhood but through her strength and dignity. The intimacy of the portrait of Sanjivani is enhanced by scenes of her involvement in a support group for women in the same situation. The film shows us that the only way forward is to heal together.
Original Motion Picture Soundtrack Cuba & Alaska
/in News /by clindoeilYeah, very proud on this great Original Motion Picture Soundtrack for our film Cuba & Alaska with music from very talented Belgian composer Frederik Van de Moortel & many great Ukrainian artists.
As our wonderful publicist Kathleen McInnis puts it : “This sounds like the soundtrack for a new and very different generation, fighting for their right to exist in this insane world.”
This is what artist- #resistance sounds like! Take a listen on Spotify!
MARCHING IN THE DARK awarded First prize of the International Competition at IsReal Festival (Nuoro).
/in News /by clindoeilJury statement by Valeria D’Ambrosio, Cecile Embleton, Marco Lutzu:
Thanks to a surprising sensitivity of gaze for a first feature, the documentary reminds us that injustice is an ancient form of abuse, which continues to perpetrate itself in every place and time.
In a pyramid hierarchy modelled on the logic of a systemic capitalism, we perceive that at the bottom, very often, are women, the ultimate victims of a chain of injustices that they must necessarily overcome. Through caring for each other, within a space of physical and psychological abuse, a group of women find their redemption because they are endowed with a genuinely feminine ‘resistance constancy’, which the director restores to us in a film full of tenderness.
Thanks to a surprising sensitivity of gaze for a first feature, the documentary reminds us that injustice is an ancient form of abuse, which continues to perpetrate itself in every place and time.
In a pyramid hierarchy modelled on the logic of a systemic capitalism, we perceive that at the bottom, very often, are women, the ultimate victims of a chain of injustices that they must necessarily overcome. Through caring for each other, within a space of physical and psychological abuse, a group of women find their redemption because they are endowed with a genuinely feminine ‘resistance constancy’, which the director restores to us in a film full of tenderness.
Double win for Marching in the Dark at 44th Festival International Jean Rouch
/in News /by clindoeilWe’re very honoured with the double win for Kinshuk Surjan’s debut documentary Marching in the Dark.
The film was awarded with Prix Mondes en Regard & Prix du Premier Film.
Here are the jury statements
First Film Prize
Drawing on a socio-economic tragedy in rural India, made precarious by harmful financial and state logic, the filmmaker places himself alongside women whose indebted husbands have been driven to suicide. With the greatest gentleness, he films of them in particular, her silent face, her precious smile, and her bare forehead.
Through these fasces, these pay-faces, we share the grief, distress and intimacy of these women. The filmmaker pays restorative attention to these widows ostracized by their own community. He elegantly captures their strength, their gradual recovery of speech and laughter, their desire to lead a better life for their children and for themselves. These women share their suffering and also give each other strength, in a beautiful sisterhood.
The filmmaker magnifies the sensitive beauty of these widows and, by filming their resilient struggles, helps restore their dignity.
Mondes en regards Prize
We were particularly move by this film, which depicts the stigmatization of widows in India and their resilience. Indeed, the film accurately depicts the impact of their hubands’ suicide on the daily lives of these widows. They experience this ordeal not only as a grief, but also as a redefinition of their daily lives and their place in society, increasing their difficulties in an agricultural system that leads to the precariousness of farmers. We also appreciated the focus given to the protagonists who participated in the creation and post-production of the film. Furthermore, we commend the efforts made by the film’s teams to establish a forum for exchange and mutual support, which has had an impact on the lives of these women. This film, with its remarkable technicality and meticulous photography, perfectly represents the “worlds in view” award, forcing us to focus our eyes on these forgotten women that society refuses to see.
Rashid wins Prix du Patrimoine Vivant at the Jean Rouch Film Festival
/in News /by clindoeilWe’re delighted to congratulate Jasna Krajinovic on her well-deserved win of the Prix du Patrimoine Vivant at the Jean Rouch Film Festival. This award recognizes outstanding contributions to preserving and celebrating living heritage through documentary filmmaking.
The Jean Rouch Festival continues to honor filmmakers who capture the essence of cultural traditions and human stories with the same pioneering spirit that Jean Rouch himself brought to cinema verité.
Congratulations, Jasna, on this remarkable achievement!
We’re incredibly proud to share that CUBA & ALASKA will have its world premiere at Sheffield DocFest 2025! 💛💙
/in News /by clindoeilMeet Cuba and Alaska — best friends, battlefield medics, fashion dreamers, music lovers, and expert-level jokers navigating chaos with contagious laughter and just the right amount dark humour.
🎥 We’re honoured to bring their story into the world. Thank you, @sheffdocfest — what a privilege to begin the journey here.
DEMOCRACY UNDER SIEGE by by Laura Nix has been awarded the GRAND PRIZE by the RIAS Berlin Commission.
/in News /by clindoeilDEMOCRACY UNDER SIEGE by by Laura Nix has been awarded the GRAND PRIZE by the RIAS Berlin Commission. What an incredible recognition. Congratulations to the whole film team! ❤️🎬
“Political cartoons have the unique power to get to the heart of complex relationships with a single image. “USA – Democracy Under Siege”, directed by Laura Nix, makes impressive use of this art form to present the current challenges facing democracy in the United States in a visually captivating way.
At the center are the sharp-tongued, pointed drawings of @anntelnaes, whose cartoons for the Washington Post not only comment, but expose, provoke and shake things up. The visual realization of this film is far more than an accompanying illustration – it is a powerful narrative form that brings us closer to the political reality of the USA in a penetrating way.
Supplemented by astute analyses from insiders of the political establishment, Laura Nix succeeds in making a documentary that shows: The defense of democracy takes place not only in words, but also in pictures. A cinematic masterpiece that proves that satire and journalism can have an enormous impact together.”
RASHID, THE BOY FROM SINJAR wins the DOC. fixed price of SOS-Kinderdörfer weltweit !
/in News /by clindoeilPitching @Visions du Réel
/in News /by clindoeilMariana Otero & Carine Chichkowsky pitched “D’un corps à l’autre” at Visions du Réel, a Clin d’oeil films Coproduction.
🎬 Marching in the Dark is screening at DocHouse (London)
/in News /by clindoeilJeffrey Brown spoke with editorial cartoonist Ann Telnaes for PBS News Hour – watch the full interview at the link below.
/in News /by clindoeil